Les Miserables

   Les Miserables, or Les Mis is arguably one of the best musicals ever made. The music, the flow, the story, most of which is inspired by victor Hugo's wonderful book, is brilliant and truly unforettable. So who has the balls to ruin it in screen adaptation style? That guy who did The King's Speech, Wolverine and Catwoman. Be very afraid.
   All jokes aside, Les Mis is a lot better suited in these hands than it was in Liam Neeson's hands. But odd casting choices aside, this is still a really rather good film. The plot goes that Jean Valjean steals a loaf of bread for his sister's child, which gets him put in jail. After he breaks parole, he comes out after 19 years and is constantly escaping from no-nonsense policeman Javert, all of this involving a dying prostitute Fantine and her child, who Valjean promises to look after, all set during the French riots in the mid-eighteen hundreds.
   As supposedly simple this story is, it is an impossible role for Hugh Jackman as Valjean, who has to play Valjean as classy, a robber, an old man, and kind spirit, and an overprotective father. He does this amazingly well, capturing all these roles with suprising sadness and nuance. also stunning is Anne Hathaway as Fantine, whose truly upsettingly powerful rendition of I Dreamed A Dream will win her an Oscar. Eddie Redmayne is ok as Maurius as is Amanda Seyfried, but the true focus should be Samantha Barks, who is wonderful as Eponine and Sacha Baren Cohen and Helena Bonham Cater spicing up every scene they are in.
   Now we get down to the big problem: Russel Crowe. While he is not quite as horrendous as some people are suggesting, he isn't great, and his awful throaty singing makes for some hilarious moments where I nearly laughed out loud. It is just a shame they didn't cast Jude Law, who I think would have been perfect in that role.
   The direction of this is stunning too, a bit Moulin Rouge esque, with people constantly throwing things in your face and laughing at you. It can be a little distracting, especailly with some of the prettier songs having things thrown in your face constantly, as well as some really baffling framing, so much so that I had to visibly turn my head to see what was going on.
   While it is flawed, and doesn't really make sense in its own universe (why does Maurius go for Cosette when Epinone is so much prettier? Why is that awful red and black song in this? Rarely am I asking a film for more exposition.) it is still the most effective adaptation to date, and when compared to the musical, it adapts pretty perfectly. Be prepared for torrents of YouTube videos of I Dreamed A dream though.

9/10

My Favourite Films Of The Year

I'm not going to be that bastard who says 2012 was the best or worst year for film, because, let's face it, 2012 was neither of these. It was however, a very slow start especially in the first half of the year, which was followed up baby a huge array of brilliant films. So here it is, my favourite films of 2012.

10. The Muppets
I know this is kind of an odd choice, but when as film is this damn happy, it is quite simply irresistible. Directed by Flight Of The Conchords veteran James Bobin, and featuring three writing of Bret McKenzie, whose ebullient songs are perfect for the source material, this joy of a film features all the gang in a tongue in cheek 'the theatre's going to close, let's do a fundraiser!'. And while the film itself is smart enough to overcome this dumb proposal, it is funny, self referential and takes itself seriously in places it needs to.

9. The Descendants

George Clooney has never been better than in his tour de force as a man thrown in a situation he doesn't know how to handle, being burdened with an unfaithful, terminally ill wife, and two sharp as nails daughters. And while it sometimes wobbles on the tightrope of schmaltz, it almost always succeeds in its intended goal, making you laugh and cry simultaneously.

8. Beasts Of The Southern Wild
I think most of us can agree that one of the best feelings is surprise, and I was truly surprised, in a good way. Having gone into this film having known very little about it, then to be blown away by a sudden rush of wonderful filmmaking and acting, especially from the wonderful Quenzhane Williams. I doubt if she will win Best Actress at the Oscars, but I think she is really the one who deserves it most. I can't really describe it, just see it.

7. Skyfall
I had originally disowned the whole Bond franchise, after a few mediocre Pierce Brosnan vehicles, but that opinion was quickly dropped after the Daniel Craig movies, all of which I liked a lot (including Quantum of Solace, thank you very much), and Skyfall does not disappoint. Javier Bardem and Judi Dench are particularly good here, and it kicks ass to see London and Scotland being used, instead of the more foreign locations, making this feel close to home. Sam Mendes deserves a cookie for his stunning direction too. All stand for that stunning song, the best since You Only Live Twice.

6. Life Of Pi
With the visually stunning Crouching Tiger, Hidden Dragon under Ang Lee's belt, he is a perfect choice for that supposedly unfilmable book. And by good god, does it deliver. These are some of the most stunning visuals I have ever seen, and though the acting can be weak at times, and the symbolism is annoying, that is all forgiven for the sheer scope of some of the scenes. But for the love of God, see this on a huge screen.

5. Moonrise Kingdom
If Ang Lee is a HD tv, impressing you with it's huge scope, Moonrise Kingdom is a Polaroid camera, with lower quality image, and a faded view, but with bucket loads of charm, sardonic wit, and tender poignancy. Telling the fable of two kids who run away from home and their small town's attempts to find them, it is typical Anderson fare, delivering wonderful performances, occasionally dark humour, and the viewpoint from the beyond his years little boy protagonist. Whimsy at its classiest.

4. The Dark Knight Rises
I am putting it out there, Christopher Nolan is one of the best directors of our generation. He has never done a bad film. Even Following, his weakest picture is a masterpiece in its own right. And his brain conclusion to his perfect Batman series is just what we hoped for, clever, disturbing, funny and surprisingly heavy for a superhero film. Marion Cotillard gives an enjoyable nuanced performance, where Joseph Gordon Levitt is surprisingly intense and focused. The central focus is Bane, who may be my favourite Batman villain.

3. Samsara
All of the other films on this list are plot driven, heavily based on the characters and what they do. Samsara has no plot, no focus or really any characters. It is a swaying visual masterpiece, taking us on an adventure of all cultures, the wide eyed beauty of Indian dancing, the surprising melancholy of the transgender Thai prostitutes, or even the terrifying performance art scene. Like the equally masterful Baraka, we get those stunning time lapse shots of the sky, the Chinese factories, everything. It all ends on the Buddhist monks creating those lovely sand paintings, admiring them for a moment, than scooping up the sand. Interpret that what you will.

2. Tie-Amour/Shame
I am tying these two films together because they are very similar in my eye. The direction is static, smooth, the plot about getting over an illness and failing, or even the twinning of both films being set in an isolating universe. Michael Fassbender gives a heartbreaking performance that sheds new light of the so often mocked sex addiction condition. Is he homosexual? Straight? He may even be asexual for all we know. He is simply addicted to the orgasm, nothing else. In Amour, Georges has a similarly tortuous job caring for his ill wife, who starts well, slowly receding through time, with only the audience and Georges understanding the pain of old age, and the gradual loss of a loved one. So brilliant.

1. The Master
Yeah, you all saw this coming. I can't help it, this film really changed my views on cults, their leaders and how they work. Both Philip Seymour Hoffman and Joaquin Phoenix give unbelievable performances as two very broken, disturbed people who find solace in each other, but in a horrible way, and the way they work off each other is quite scary, but representing such a dark truth that lingers inside us. Anderson's direction is very astute, and it looks fantastic. They just didn't fuck up in any way.  See it for an interesting night out.